
"Knopfler's basic approach remains the same -- as a guitarist, he is still enamored of the minor-key finger-picking style of J.J. Cale, and as a singer/songwriter, he remains enthralled with Bob Dylan. But in one song after another on this album, you get the feeling that he started out playing some familiar song in a specific genre and eventually extrapolated upon it enough to call it an original." (allmusic guide)

"On Duke, Genesis took a major step away from their art rock past toward commercially acceptable pop music. Not only are the songs shorter here, but the arrangements are less dense, the production is given a pop sheen, and Tony Banks' keyboard work, a hallmark of the group as late as their previous album, is pushed into more of a textural role. As such, it is Phil Collins who comes to the fore here, both as a writer and as bandleader." (allmusic guide)

"The Eagles' first newly recorded album in 14 years gets off to a good start with the rocker "Get Over It," a timely piece of advice about accepting responsibility, followed by the tender ballad "Love Will Keep Us Alive," the country-styled "The Girl From Yesterday," and "Learn to Be Still," one of Don Henley's more thoughtful statements." (allmusic guide)

"With so many Nashville acts playing mainstream pop, the Dixie Chicks' long-awaited sixth album is a refreshing breath of sweet country air. Even their gorgeous cover of Stevie Nicks' "Landslide" gets dressed up with all the rootsy frills that made albums like the O Brother Where Art Thou? soundtrack a phenomenon." (real music guide)

"David Bromberg has been such an effective sideman for so long, it could be possible to not notice what a wonderful entertainer the man is when he is at center stage. How Late'll Ya Play 'Til?, Vol. 1 catches Bromberg and a crack band having a fine time on mostly humorous tunes. Of course, Bromberg does play guitar throughout the album, but the real attraction here is his bluesy vocal turns and his razor-sharp comedic timing." (allmusic guide)
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